by Air Supply

Album: Lost In Love (1980)

E -----------------------------------------------release bend---|
B ----------7-7--------7-7-------7---6-7--9(^11)-9-7------------|
G ----6-h8-------6-h8------6-h8----8-----------------8----------|
D --------------------------------------------------------------|
A --------------------------------------------------------------|
E --------------------------------------------------------------|
E ---------------------------------------------------------------|rel.bend
B ----------7-7--------7-7-------7-----7-7--9-10--(^12)-10-------|
G ----6-h8-------6-h8------6-h8----7-9---------------------------|
D ---------------------------------------------------------------|
A ---------------------------------------------------------------|
E ---------------------------------------------------------------|

Verse 1

Overnight scenes, dinner and wine, Saturday girls

I was never in love never had the time in my hustle and hurry world

Laughing myself to sleep, waking up lonely

I needed someone to hold me oh whoa ohh

It’s such a crazy old town, it can drag you down til you run out of dreams

So you party all night to the music and lights but you don’t know what
happiness
means

I was dancing in the dark with strangers, no love around me

When suddenly you found me, oh whoa ohh

CHORUS (A/Ab means A chord over a Ab bass note):

Girl you’re every woman in the wo[A/Ab]rld to me

You’re my fantasy You’re my reality

Girl you’re every woman in the wo[A/Ab]rld to me

You’re everything I need; you’re everything to me

Oh girl

E -----------------------------------------------release bend---|
B ----------7-7--------7-7-------7---6-7--9(^11)-9-7------------|
G ----6-h8-------6-h8------6-h8----8-----------------8----------|
D --------------------------------------------------------------|
A --------------------------------------------------------------|
E --------------------------------------------------------------|

Whole song up a half-step!
|
v

E ---------------------------------------------------------------|rel.bend
B ----------7-7--------7-7-------7------8-8--10--11 (^13)-11-----|
G ----6-h8-------6-h8------6-h8----8-h10-------------------------|
D ---------------------------------------------------------------|
A ---------------------------------------------------------------|
E ---------------------------------------------------------------|

Verse 2

Everything good, everything fine, that’s what you are

So put your hand in mind and together we’ll climb as high as the highest star

I’m living a lifetime in every minute that we’re together

And I’m stayin’ right here forever oh whoa ohh[F(2)]

CHORUS 2

Girl you're every woman in the wo[A#/A]rld to me

You’re my fantasy You’re my reality

Girl you’re every woman in the wo[A#/A]rld to me

You’re everything I need; you’re everything to me

Oh girl
Up another half step!
|
v

E --------------------------------------------------------------|
B --------8-8-------8-8------8----7-8-8--------- 9-9--11-12--14-|
G ----7-h9-----7-h9-----7-h9----9----------9-h11----------------|
D --------------------------------------------------------------|
A --------------------------------------------------------------|
E --------------------------------------------------------------|

CHORUS 3

Girl you’re every woman in the [B/Bb]world to me

You’re my fantasy You’re my reality

Girl you’re every woman in the world to m[B/Bb]e

You’re everything I need; you’re everything to me

REPEAT CHORUS 3 AND FADE (THANKFULLY)

-------------------------------------

Barre Chord Cheat Sheet (in order of appearance)

D x57775
Bm x24432
E 022100
C#m x46654
C#sus4 x46674
C# x46664
A# 688766 (aka Bb)
D# x68886
Cm x35543
F(2) x 8 10 10 10 8
Dm x57765
Dsus4 x57785
D x57775 (same as above)
B 799877
E x79997
F# x 9 11 11 11 9

You must learn this using barre chords because of the song’s constant upward-
spiraling key changes; a barre chord guide is provided

h hammer-on
p pull-off
(^#) bend up to this number fret’s pitch on the number listed

That Opening Lick–This might be a little uncomfortable when it sounds most
interesting, but it makes sense and feels more natural after a few plays.