Running down the highway like a psychopath
All the flames and fury honey at my back
Wanna make a bet whether I make it back
cus I’m on the edge of a heart attack

Ah-ah-ah-ah…
|A Bm| |D G|

You said “Honey quit your worrying
Distance is exactly like a blowing wind
Putting out the embers and the tiny flames and
Keeping the big ones burning.”

So I am standing in the sand where we said
”It’s the best day of my life” and meant all of it

Keep me in your soft sights
When all of the rest have moved on
And I’ll keep you in my soft sights
When all of the crowd has gone home

(Annie shredding)
|A Bm| |G |
|A G| |A |
|C# A| |G |

Keep me in your soft sights
When all of the rest have moved on
And I’ll keep you in my soft sights
When all of the crowd has gone home

Ah-ah-ah-ah…
|A Bm| |G |
|A Bm| |G D|
|F#m Em| |C D|
|F#m C| |D Em|
|A Em| |C |
|G |

Get back to your seat
Get back mashing teeth

I want all of your mind

Pre-Chorus 1:

People tell you TV only looks just like a window, yeah
People tell you TV only looks just like a window, yeah

Chorus 1:

Digital witnesses, what’s the point of even sleeping?
If I can’t show it, you can’t see me
What’s the point of doing anything?

Verse 2:

This is no time for confessing
I’m all in your mind

I want all of your mind

Pre-Chorus 2:

People tell you TV only looks just like a window, yeah
People tell you TV only looks just like a window, yeah

Chorus 2:

Digital Witness, what’s the point of even sleeping?
If I can’t show it, you can’t see me
Watch me jump right off the London Bridge

Verse 3:

This is no time for confessing
People turn up your TV or throw it out the window
Get back to your stare
I care, but I don’t care

Verse 4: (octave up)

Oh, I want all of your mind
Give me all of your mind
I want all of your mind
Give me all

Chorus 3:

Digital witnesses, what’s the point of even sleeping?
If I can’t show it, you can’t see me?
What’s the point of doing anything?

Outro:

What’s the point of even sleeping?
So, I stopped sleeping, I stopped sleeping
Won’t somebody tell me I’m different?

[/] [/] [/] [/]
VERSE:

Wait I’ll be swifter than the speed of light
Carbon on my body a billion years of time
You wake with the stitches over both your eyes
And deny me my body and all earthly delights

CHORUS:
It’s time You are light
I guess you are afraid of what everyone is made of

Time You are light
I guess you are afraid of what everyone is made of
VERSE:
All of your praying amounts to just one breath
Please keep your victory but give me little death

CHORUS:
It’s time You are light
I guess you are afraid of what everyone is made of
Time You are light
I guess you are afraid of what everyone is made of

OUTRO:
(silent)
Time Time Time Time
Time Time Time
Time Time Time
Time Time Time
Time Time Time

OUTRO CHORUS:
It’s time You are light
I guess you are afraid of what everyone is made of
Time You are light
I guess you are afraid of what everyone is made of
what everyone is made of what everyone is made of
what everyone is made of what everyone is made of

ENDING (tricky rhythm; watch out!):
So take to the streets with apocalypse refrain
Your devotion has the look of a lunatic’s gaze

[—]
Oh little one I know you’ve been tired for a long, long time
And oh little one I ain’t been around a little while
But when you see me, way-a-ait

Oh little one your Hemingway jawline looks just like his
Our father in exile
For God only knows how many years
But when you see him, way-a-ait
through double pay-a-ain
I’ll be with you lost boy-oy-oys
Sneaking out where the shivers won’t find you

Oh little one I’d tell you good news that I don’t believe
If it would help you slee-ee-eep
Strange mercy-y-y

If I ever meet that dirty policeman who roughed you up
No I don’t know what
If I ever meet that dirty policeman who roughed you up

I’ll be with you lost boy-oy-oys
Sneaking out where the shivers won’t find you

-------------------------------------------------------

MARROW – St. Vincent

-------------------------------------------------------

Tuning: Drop-D

/ slide up
slide down
h hammer-on
~ vibrato
x Mute note
b bend
r bend release

I know this is not the way Annie Clark plays this.
She plays with a capo on the 1st fret, and I don’t think she is in drop-D.
She also plays some of the notes in the chorus at different octaves.
THIS IS HOW I PLAY THE SONG. But I am sure all the notes are correct.
You have to get around the neck kind of fast, so I’m showing 2 ways to play each part.

ALSO, EACH – ON MY TAB REPRESENTS A 16TH NOTE. THE NUMBERS AND SYMBOLS UNDER THE TAB IS THE TIMING.

INTRO – No guitar
Annie likes to do some distorted scratchy stuff on the strings here.
Just mess around a bit.
I have the gain turned up quite a bit and hit the body of my guitar like I’ve seen her do.
The open D power chord d|0| resonates and sounds pretty good.
A|0|
D|0|

VERSE – No guitar
Same as INTRO. Just fool around a bit if you want to.
You can also follow the chord progression the keys/flutes are doing.

Repeat entire sequence 2X

e| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
B| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
G| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
d| 5~- - - - - - - - - - - - - - - | 7~- - - - - - - - - - - - - - - |
A| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
D| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |

e| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
B| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
G| - - - - - - - - - - - - - - - - | 5~- - - - - - - - - - - - - - - |
d| 8~- - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
A| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
D| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |

e| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
B| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
G| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
d| 5~- - - - - - - - - - - - - - - | 7~- - - - - - - - - - - - - - - |
A| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
D| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |

e| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
B| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
G| - - - - - - - - - - - - - - - - | 8~- - - - - - - - - - - - - - - |
d| 9~- - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
A| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
D| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |

CHORUS
The muted notes are not necessary, I just think it helps the riff grove better.

[---------------------------------4x--------------------------------]
e| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
B| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
G| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
d| - - - - - - - - - - - - - - - - | - - - - - - - 5/7 - 0 - - - - - |
A| 6 - - - - - - - 3 - 0 - 8 8 8 8 | - - - - - - - - - - - - 8 8 8 - |
D| - - 8 - x - 5 - - - - - - - - - | 5 - - - x - - - - - - - - - - 5 |

1 & 2 & 3 & 4 e & a 1 2 a 3 & 4 e & a
-OR-

[---------------------------------4x--------------------------------]
e| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
B| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
G| - - - - - - - - - - - - - - - - | - - - - - - - 0h2 - - - - - - - |
d| 1 - - - - - - - - - - - 3 3 3 3 | - - - - - - - - - - 0 - 3 3 3 - |
A| - - 1 - - - - - 3 - 0 - - - - - | - - - - - - - - - - - - - - - - |
D| - - - - x - 5 - - - - - - - - - | 5 - - - x - - - - - - - - - - 5 |

1 & 2 & 3 & 4 e & a 1 2 a 3 & 4 e & a

POST-CHORUS HORN BIT
Annie doesn’t usually play this the first time, but she does after the 2nd chorus, before her solo.

e| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
B| - - - - - - 10- - - - - - - - - | - - - - - - - - - - - - - - - - |
G| 10- 8 - 7 - - - 8~- - - - - - - | - - - - 7~- - - - - - - - - - - |
d| - - - - - - - - - - - - 10~ - - | 8~- - - - - - - 8 - 7 - 8 - 10- |
A| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
D| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |

1 & 2 & 3 4 1 2 3 & 4 &

-OR-

e| - - - - - - 5 - - - - - - - - - | - - - - - - - - - - - - - - - - |
B| 6 - 4 - 3 - - - 4~- - - - - - - | - - - - 3~- - - - - - - - - - - |
G| - - - - - - - - - - - - 5~- - - | 3~- - - - - - - 3 - 2 - 3 - 5 - |
d| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
A| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
D| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |

1 & 2 & 3 4 1 2 3 & 4 &

Repeat VERSE

Repeat CHORUS 2X , then POST-CHORUS HORN BIT

POST-CHORUS/OUTRO RIFF
Again, the muted note is not necessary, I just think it helps the riff grove better.

[---------------------------------4x--------------------------------]
e| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
B| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
G| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
d| - - - 1 - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
A| 0 1 3 - 3 - 1 - - - 0 - - - - - | - - - - - - - - 0 - - - - - - - |
D| - - - - - - - - 5 - - - 3 3 3 3 | - - - - x - 5 - - - 1 - 3 3 3 3 |

1 e & a 2 & 3 & 4 e & a 2 & 3 & 4 e & a

-OR-

[---------------------------------4x--------------------------------]
e| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
B| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
G| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
d| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
A| - - - 6 - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
D| 7 8 10- 10- 8 - 5 - 7 - 3 3 3 3 | - - - - x - 5 - 7 - 1 - 3 3 3 3 |

1 e & a 2 & 3 & 4 e & a 2 & 3 & 4 e & a

SOLO
There are numerous guitars here. I’ve tabbed the one I think is most prominent

[---------------------------------4x--------------------------------]
e| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
B| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
G| 10b 12r10 - - - - - - - 10b 12r | 10- - - - - - - 10- 9 - 10- - - |
d| - - - - - - 8~- - - - - - - - - | - - 7~- - - - - - - - - - - - - |
A| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
D| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |

1 & 2 & 4 & 1 & 3 & 4

-OR-

[---------------------------------4x--------------------------------]
e| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
B| 6 b 8 r 6 - - - - - - - 6 b 8 r | 6 - - - - - - - 6 - 5 - 6 - - - |
G| - - - - - - 3~- - - - - - - - - | - - 2~- - - - - - - - - - - - - |
d| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
A| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
D| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |

1 & 2 & 4 & 1 & 3 & 4

POST-SOLO/BRIDGE
Here there are some effects heavy chords being rung out.
I could never fully figure them out.
Instead I just strum the strings above the nut of my guitar.
If you hit it just right it sounds alright.
Also, you could try and ring out some harmonics on beat 1 of each measure.
Or, just repeat VERSE progression.

Repeat POST CHORUS/OUTRO RIFF 8X
The very last time I play it like this.

e| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
B| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
G| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
d| - - - 1 - - - - - - - - - - - - | - - - - - - - - - - - - - - - 3 |
A| 0 1 3 - 3 - 1 - - - 0 - - - - - | - - - - - - - - 0 - - - - - - - |
D| - - - - - - - - 5 - - - 3 3 3 3 | - -/15- - - 5 - - - 1 - 3 3 3 - |

1 e & a 2 & 3 & 4 e & a & & 3 & 4 e & a

-OR-

[---------------------------------4x--------------------------------]
e| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
B| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
G| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
d| - - - - - - - - - - - - - - - - | - - - - - - - - - - - - - - - 3 |
A| - - - 6 - - - - - - - - - - - - | - - - - - - - - - - - - - - - - |
D| 7 8 10- 10- 8 - 5 - 7 - 3 3 3 3 | - -15- - - 5 - 7 - 1 - 3 3 3 - |

1 e & a 2 & 3 & 4 e & a & & 3 & 4 e & a